1. Feeling much better - the sickness is gone, finally. No cough, no runny nose. Still feel a bit wiped, but for the first time in a week - I ate something other than chicken vegetable soup or chicken broth.
( photo of chicken soup )
As you can see it was homemade. The store bought variety has things like yeast, corn starch, etc in it.

Although I did buy the broth - I've never the energy or time to make my own broth.

Had eggs this morning and a gluten free english muffin. It should sustain me until noon. I'm hoping to vote in the primary this mayoral primary this weekend.

2. Wales apologized. I explained my issues regarding what she said about COVID, by laying out my experience with it and how it had affected my life, and she apologized and thanked me for taking the time to explain.

I think people forget that everyone's body is different, and illnesses affect all of us differently.

3. Even though our mass media is attempting to downplay the number of people who protested during No Kings Day to roughly 5-6 million as opposed to 12-13 million as Alt National Parks (the coalition of 5051) stated, I'm going with Alt National Parks number for the following reasons:
( Read more... )

4. Buffy Rewatch...S3 so far has no duds, I've not skipped or groaned through an episode.

And damn, by episode 7, I really wish someone would kill off Xander. ( ugh Xander )

Oh, I've been paying attention to the credits here and there, and discovered something interesting? There are about five to six producers who are not writers. Also various people involved who don't write for the show and are editors. The credits are lengthy. Sandy Gallin and Gail Berman produced, along with the Kuzuies, Gareth, and David Solomon, and then Whedon and Greenwalt as show-runners. This was in S3. David Solomon was a director - not really a writer. And did a lot of the second unit directing for the series. Gallin was with Sand Dollar - which is Dolly Parton's production outfit. Gail Berman was with Fox and the WB.

If you think Buffy was just a Whedon show? You aren't paying attention to the credits. It really wasn't just Whedon's or Mutant Enemy's. Also ME and Whedon didn't own the rights to it. Fox, the Kazuis and Dolly Parton did.
Whedon had to ask their permission to continue with it. Fox's rights are now Disney's, Disney bought all of Fox's entertainment properties.

Also, here's the writing process as of 2003, per Jane Espenson, who was in the writer's room at the time:
( the Writing Process by Jane Espenson )

Note that was in 2003. In 1997-1999, the head writers were David Greenwalt and Joss Whedon, and the studio and network had more of a say and Berman was more involved. When the show jumped over to UPN, Fox still had a say (that's the studio), but the network didn't care. So, what Espenson is leaving out - is the network and studio notes, which may or may not have existed on Whedon shows. The writing team was continuously changing, with various writers jumping from one Whedon Show to another one.

Carpenter made it clear during a con - that there's no reason to feel guilty loving Buffy, because of Whedon, since the show was a collaboration and Whedon's involvement, while heavy at times was by far not the main ingredient or the main oversight. It's not a novel, and it's not a series like Andor that is written and directed by one auteur. It's also not like Doctor Who, where the vast majority of episodes are written by one person and to a large part even directed by them.

This is an American Broadcast Television Series - they have about 400 people involved, we have editors, directors, guest directors, stunt coordinators, etc. To say Whedon had limited control over the proceedings, is a gross understatement. No one was purely in control over it.

Actually in my re-watch, I can now tell when they are using stunt doubles.